Goat Hair Everywhere

A few weekends ago a friend and I volunteered our novice services to a local fiber farm.  They needed hands to help out with shearing their angora and pygora goats, and it turns out they’re not opposed to that help being inexperienced.  So off we went, ready to get dirty.

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It turns out that goats (and alpacas too) are pretty curious and have short memories when it comes to the shearing equipment.  We brought in the shearing tables, and they climbed all over them and inspected all of the parts.  It was relatively easy to convince the first few participants that they’d like to hang out on the tables in exchange for some treats.  By the time we got around to the last couple of goats, they were fairly wise to what was going down and absolutely wanted no part of it – treats or no treats, thank you very much.

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In the beginning we were extremely slow and very cautious with the scissors.  Our job was to come along behind the electric shears, gathering the fleece, and to trim up the legs, underside, face, and bib.  By the time the day was over, we were old hands – nabbing unwilling goats, and trimming the hair from their wiggly bodies with a minimum of fuss.  And boy were we tired!  It takes a lot to wrangle and shear eight full sized goats, even with electric shears and two pairs of hands per animal.

Afterward we were treated to a tour of the alpaca barn.  I got a curious sniff and a kiss from this brand new little guy.

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Nice way to end a hard day’s work, isn’t it?

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Spinning: Fractal BFL/Tussah Silk

I just realized that I forgot to show you this little spinning adventure.  I’m absolutely shocked that it slipped through, since I am so excited with how it turned out.  I blame the distraction on the adventures that have popped up in the intervening time.

I pulled this braid of a BFL/Tussah Silk blend out of my fiber stash.  I had previously earmarked it to try spinning it using a gradient technique – where one color blends into the next along the entire length of the yarn.  But when I examined the color transitions more closely, I discovered that they were too short to be effective using that technique.  So I changed tactics and decided to spin it using the fractal technique instead.

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I must have been a little overexcited because here’s where things get a tad muddled.  I split the fiber lengthwise into two halves.  One half was wound into a loose ball to be spun onto bobbin #1.  I then split the second half in two.  One quarter was split into 4 balls to be spun in series on bobbin #2.  The other quarter was split into 8 balls to be spun in series on bobbin #3.  The muddled bit is that I later realized that bobbin #3 would be twice as long as bobbins #1 & 2, which would really mess up the plying (I would have half a bobbin of singles left over).  So I split bobbin #3 into two again, making bobbin #4 with the other half.  (Whew!  I think I’ve got that noted right…)

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Spinning the singles was a breeze.  This is my first try at spinning anything containing silk, and I was a bit anxious about how it would affect the outcome.  I had heard horror stories of spinners having to fight to get the silk strands to spin into a stable thread.  No worries, though.  The Tussah staple length matched the BFL staple length perfectly, so that it slipped through my hands just as smoothly as usual and made lovely stable singles.

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I then plied all four bobbins together.  The resulting yarn is nicely rounded with a fabulous drape, and just a tiny bit of shine from the silk.  I love how the colors blended together.  I ended up with 350 yards of a fingering (or sock) weight yarn.

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Now to find a knitting project that will show it off to advantage.

For the spinners:

 

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Drape-front Cardigan – Inspiration and Design

The design bug hit me again.  Hard.  And once again, the inspiration came from a piece that was already in my closet.  It is a cardigan I already love, but wish was just a bit warmer.  Why mess with a good shape, right?

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This is the inspiration piece – a t-shirt cardigan with a drape front, loosely fitted, and generously sized.  It is the perfect light layer for the transitional months and in places where the A/C is just a tad on the frosty side.  Equally at home with slouchy jeans or a fitted dress.  But not exactly heavy enough for late fall, winter, or early spring wear.

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I took some measurements of the cardigan, and compared them to my actual body measurements.  There are a couple of points on the existing cardigan that I wanted to adjust, so I made note of those and worked them into the dimensions for the knitted version.

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Then I went shopping for a yarn to match the project.  You guessed it, it’s in a neutral color.  All the better to hang out in my wardrobe the longest, my dears.

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I gave the swatch a nice scrubbing – the yarn contains alpaca, which sometimes tends to bloom and stretch with washing and blocking.  I’m also expecting this garment is going to get a lot of heavy wear, so the swatch helped identify if the fabric would be susceptible to pilling (it rattled around in my bag for several weeks, rubbing against all the other things stuffed in there).  The fabric scored high on all fronts; it is soft and drapes well, hard washing and wearing, and doesn’t stretch out of shape.

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After taking a few critical measurements of the swatch, I created a spreadsheet for the pattern and plugged all of my numbers in.  I’m discovering that I like to work out the pattern details first, then knit the sample from the pattern.  This lets me just knit happily along without thinking too hard, while still making adjustments as needed.  My pattern spreadsheet is a work in progress until I get finished with the sample – an adjustment in one spot filters down to all the related parts, so that I don’t have to remember all the places to update.  When I’m finished it will be easy to take the spreadsheet instructions and flesh them out into a nicely formatted pattern.

The first adjustment I made in the design is for the collar.  The original version has a fold-over drape front collar.  I didn’t want quite that much knitted fabric bunched up around my neck in this case (says the girl who loves thick turtleneck sweaters).  So I added some ribbing to gather the fabric without sacrificing the front drapes.

The second adjustment is at the waist.  The original version is cut straight, using a string inside a tube along the back waist to draw the fabric in (if desired) and give the garment some shape.  I added ribbing at the side “seams” to create this effect in the knitted version.

The result will be a top down, seamless sweater with moderate shaping and set-in sleeves.  It will be more generously sized for wearing over a t-shirt or blouse, but not oversized or slouchy.  The front can be worn open, in a wrapped configuration, or tucked up at the shoulders to form a cowl-neck.

With the planning stage complete, I was excited to ride the enthusiasm toward a finished project.  Next step: cast on and get knitting!

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Taking the Plunge – Spinning for a Sweater

Have you ever encountered a thing that’s too scary to try?  I don’t mean physically scary, like jumping from an airplane if you’re afraid of heights.  I’m definitely too scared to try that one!  I mean the fear-of-failure type of scary.  Like you don’t know if it would work.  Or you think you don’t know enough yet, or have a good handle on the concept, to be able to pull it off well.

We’ve all been there.  The first day of painting class, or knitting class, or spinning class.  Or the first time you try something new.  What if your crafty/artsy mojo decides to take a day off?  What if you can’t get it?  What if you totally screw it up?  Or there’s the scenario where you picked a project you thought would be just a little bit of a stretch.  But then it turned out to be a bigger “learning experience” than you’d planned.

Some folks let this type of scary thing stop them.  They continue to practice for years, getting really good at it, taking baby steps – until something or someone comes along to push them into the next level of work.  Slow and steady wins.

That’s not me.  Especially when it comes to working with my hands.  (I can also give you a huge number of examples of this in my professional life too.)  I experiment, try new things, figure out all the ways to fumble around and mess it up, then figure out how to fix it and make it better.  Sometimes the experiments work out well, and sometimes they end up in the Frog Pond.  Yes, in the interest of full disclosure, there’s a Frog Pond for my needlepoint, embroidery, painting, drawing, and sewing projects.  I bet you have one too.

A lot of the time I skip “steps” in my education.  You know, the “steps” that those who’ve been doing the thing forever think you should take to gain mastery over the thing yourself.  My best mentors were the ones who thumbed their nose at those people.  When I started crocheting, I jumped in with miles of afghans (why start at a scarf?), and then I tackled a custom design-as-I-go wedding dress.  When I learned to knit, I went from a single scarf, right to sweater, to socks, to lace shawl, to custom designs.  Again, not everything turned out to be a work of art – there were lots of frogs along the way.  But this is how I learn, and keep myself from getting bored.

So what’s the latest scary thing for me?  Spinning.  And I’m having a blast with it, like I knew I would.  (That’s exactly the reason I held off on trying it for so long – I knew I would get addicted to it.)  Over the last year you’ve seen me try spinning with a bunch of different wool and wool blends.  I’ve also tried different color blending techniques.  And over that time I can actually see my spinning improve – it’s there in the photos – each finished project better than the last.

And I can tell that I’ve reached a consistent quality in one critical area of my spinning.  I can consistently spin to a chosen gauge (thickness).  Now I’m ready for a big push.  To skip to the next level.  To try something outside of my comfort zone.  I’m ready to spin a larger quantity of yarn with a specific project in mind.

A shawl, you say?  Or maybe a matching hat and mitts?  Nope, I’m going for sweater quantity.  Big.  Like 1500-2000 yards big.

IMG_20150222_142638_clr_smTo give you a comparison, this spinning project (photo above) resulted in ~400 yards of yarn at the gauge I’d like to achieve for the sweater project.  So really, all it means is spinning like that for longer, with a few small modifications – I want my sweater yarn to be 3-ply instead of 2-ply.

To break it down even further – I’ll be spinning 1500-2000 yards of singles, three times (x3), then spinning that amount again to ply them together.  (2000 x 3) + 2000 = 8000 yards of spinning or ~4.5 miles.  (Do you think I’ll burn any calories on that spin?)  Of course, I won’t be doing all that work in one sitting.  Just like knitting the sweater, it will take me several weeks to complete this spinning project.  But, as we all know, little bits of work here and there add up.

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Last year I stashed 12 ounces of 100% BFL fiber in a heathered oatmeal color for just this eventuality.  So the other day I got it out and pulled off about 1/2 ounce to use for sampling.  Every good spinner works up a sample before spinning a large quantity to make sure the finished result will resemble what they were trying to achieve.  I split that little bit of fluff into three equal sections and spun each at 1/3rd of my target gauge onto a separate bobbin.  I then plied the three singles together, and washed the resulting yarn to set the twist.

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What I ended up with was bang on target.  My project needed a yarn roughly within the sport or DK weight range.  The wraps per inch (WPI) on the yarn is somewhere in between the two, depending on which “industry” WPI/yarn weight chart you consult.  The streaks of brownish-grey and creamy white blended together to an overall mid-tone grey-brown.  Win on all fronts!

Now for the real test: the knitted swatch.

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Again, what I ended up with was right on target.  The stitches are even, the yarn color does not vary too much or in strange patterns, the fabric is drapey and soft, and the stitches per inch gauge matches the gauge listed for the sweater.  One of the knit girls said it looked like commercially spun yarn.  I’m trying not to let that go to my head.

So I’m emboldened to continue, with no changes to the plan at this time.  (I bet the slow-and-steady folks are cringing right about now.)  Next step: split the fiber into manageable sections and get spinning!

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Frog Pond

I know it might be hard for you to believe, but not every project turns out perfectly.  Despite best efforts, some projects will end up in the Frog Pond.  What is the Frog Pond, you say?  Obviously it’s where the frogs hang out.  More specifically, it’s where the knitting frogs wait to be ripped out.  We call the process of ripping out “frogging” a project.  (“Rip it!  Rip it!  Rip it!”  Get it?  Say it out loud, really fast.  Get it now?  Some unknown humorous knitter long ago thought that was a laugh riot, and the rest of us have followed along like sheep ever since.)

Why does a project end up in the Frog Pond?  Maybe the fit of the garment isn’t right for the body type of the knitter/recipient.  Following the pattern instructions to the letter will often result in a beautiful garment, but choosing a sweater with a round collar when you know that looks terrible on you will not keep the project from ending up unworn at the back of the closet.  Maybe the size you chose turned out to be undesirable – too large or too small, too loose or too fitted.  Maybe the yarn used wasn’t a good match to the project.  If the garment needs the yarn to help give it structure, but you chose a yarn with too much drape or one that stretches with wearing, it’ll likely end up a floppy mess.  You get the idea.  It’s not always a knitting error, or failure to follow the pattern – though these are certainly possible too.

So what’s in my Frog Pond?  Some things you might recognize, actually.

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First up for ripping out is my Hedwig Cardigan.  This is a case where the sweater turned out great, and is a good match for the yarn.  However, the shape was a bad choice for me.  I have increasingly noticed that round collared shirts and sweaters don’t flatter my curvy figure.  I need a drape neck, boat neck, or v-neck to provide balance, none of which works with this sweater (even if worn unbuttoned).  So into the Frog Pond it went.

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The yarn will be salvaged as much as possible and used in a different cardigan project.  I have several patterns picked out already and am just waiting for the right time to get started.  It is worth expending the effort to save the yarn because it is special to me; it is part of the 100% alpaca stash that Husband brought back for me from his trip to Peru.  Totally worth rescuing so I can actually wear it.

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Next up is my Featherweight the Second cardigan.  My first Featherweight Cardigan was knit in lace weight yarn and turned out to be very fitted.  For my second one I chose a (slightly) heavier fingering weight yarn and went up a size for the knitting so it would be roomier.  I also added a lace panel on the back, and some colorwork on the sleeves and collar.  I love the result, and actually do wear the sweater.  But it is a tad too roomy – on the slouchy side, really.  I should have knit what I knew to be the right size.

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I plan to rip back and salvage this yarn as well.  Except I won’t be knitting a different pattern with the salvaged yarn.  I will be knitting this exact sweater again, one size smaller.  Yep, that likely makes me a perfectionist.  Making the smaller size means that I’ll need to modify the lace panel on the back a bit.  It also means that I’ll likely have enough yarn to end up with long sleeves, instead of 3/4.  Until then, I’ll keep wearing it on occasion.

Those are the big ones for now.  Most of my frogged projects get ripped out long before the finishing stage nowadays.  Like the Gradient Top I talked about in this post.  (No, I still haven’t decided to definitely start over.  But it’s a likely thing.)  Though you never know when a project you’re sure will be perfect will turn out to be a frog.  My philosophy has always been to boldly rip out undesirable work, and to do it often enough that it’s not scary or upsetting.  That works for me, so I’m sticking to it.

What’s in your Frog Pond?

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Near Instant Gratification

If you’ve been following along for any length of time, it’s fairly obvious that I’m not what anyone would call a monogamous knitter.  This is my happy state, in all areas of my life.  Every professional position I’ve ever held has also been filled with multiple projects going on at once.  Likewise, several areas of the house are in various states of improvement (Husband and I are similar in this particular space – he’s got several in progress around the house too).  I will go for short spurts of monogamy to bring a project in under deadline or to ride a creative “flow” state, but then I head right back into the deep end of the project pool.

I try to keep the quantity of projects in actual work within a reasonable number, however.  More than a handful, and some of them are going to be so neglected that they fall off the list altogether.  Not enough, and my interest starts to wander.

The equilibrium state typically lays out like this: one large project, a couple of medium sized projects, and a sprinkling of small projects.  I might have a couple of large projects on the needles, but typically that means that one of them was prioritized above the other and the less important one at the time was pushed to an on-hold status.  Ditto for the medium sized projects.  Simultaneously, I like to have at least one project that is “mindless” – meaning that I don’t have to think particularly hard while I’m working it – and at least one that is portable – meaning that it fits in my purse for handy wherever-I-am knitting.  Husband thinks it’s funny that I have a special compartment in my purse that perfectly fits a sock or shawl project, and that I have no qualms about pulling my knitting out to get in a few rows while waiting for dinner to be served at a restaurant.  (Or while I’m sitting at the bar sipping a good beer.  You’d be surprised to hear the number of times I’ve been told by the guy sitting down the bar that he’d love for his wife to come to the pub with him, but she thought it would be too weird to bring her knitting.)

Since the small projects nearly always fit into the mindless or portable categories, or both, they are perfect for fitting in here and there when I need a break from the heavier stuff.  And because they’re small, I get nearly instant gratification when working them.

For example…

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This cheerful little snippet took longer than it needed to, for the simple reason that I made it up.  I was nearly finished with it, decided that I didn’t like how the sections were turning out, and ripped it back to the start of the lacework.  The second time through was much better.

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It falls into both the mindless and portable categories.  Mindless, because the lace row is the same on both sides (there is no right or wrong side) and very easily memorized.  Portable, because it used just one skein of sock yarn.  I literally had just one yard left after finishing the bind-off.  Perfect!  I will very likely be making more of these.

For the knitters:

  • Pattern: I made it up
  • Yarn: Knit Picks, Stroll Tonal, colorway Springtime Tonal
  • Ravelry project page: here

Another example…

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These tiny beauties are like eating potato chips or popcorn – you can’t stop at just one.  Each one is just 2″ across, and are using up a good chunk of the ball-ends left over from my sock yarn projects.  I’m trying to make them all different, so it’s a lot of fun to pick out which yarns I’m going to use next.  This one is a longer-term project, but because I get a little happy finishing fix with each completed shape it falls into the portable category and counts as instant gratification.

No further details on this project at this point.  Stealth, you know.  Stay tuned.

Also…

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Technically, this is a medium sized project – it’s a sleeveless top, and will use a couple of skeins of yarn.  But it goes so fast that I’m including it here.  In just two weeks of casual off-and-on knitting I finished the body up to the underarm and the left upper front.  This project is currently in hibernation, however.  Not because I don’t love it and want to wear it immediately.  I totally do!  But because I tried it on, and despite lengthening the body at one of the available points given in the pattern it is still too short for my taste.  (Yes, I measured my knitting.  My tape measure is apparently not to be trusted in this case.)  Other than that, the fit is lovely.  So I’ve reached a decision point: rip it out and start again so I can lengthen the body at every point offered in the pattern, or keep going and just resolve to wear it with a light layer underneath to visually lengthen the hemline.  Until I decide what to do, it’s going to hang out in the deep-dive work in progress basket.

For the knitters:

Finally…

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These socks are my attempt to invoke the start of Fall weather in the Pacific Northwest, with the accompanying clouds and rain that season ushers in for us.  Honestly.  I am done with temps above 80 F, thanks very much.  And needing to water my veggie garden multiple times a week.

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So I’m calling these my Bring on the Clouds Socks.  It worked last week (yay rain! and 65 F high temps!).  Let’s see if they can keep that trend going.  Meanwhile, I am absolutely in love with these stripes – I can’t take credit, the dye job on the yarn is doing all the work there.  This is totally a mindless, while watching TV in the evening, kind of project.

For the knitters:

  • Pattern: none, plain toe-up socks with slip stitch toes and heels, calculated to fit my feet specifically
  • Yarn: Blue Moon Fiber Arts, Socks That Rock Lightweight, colorway Tonalite
  • Ravelry project page: here

What about you?  Do you have projects that could be classified as instant gratification?

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Lestrange Cloak

Let me tell you the story of a medium-weight cardigan project that I’ve been working on for over a year.  It came out of the in-progress basket occasionally so that I could knit furiously on it and make a ton of progress.  Then it went back into the basket to make way for working on a more urgent project.  This happened so often that it is a wonder I made any progress on it at all.  You see, this cardigan is long and drapey and covered in a myriad of lace patterns.  There’s a lot of yardage in this project – nearly as much as a full sized blanket!  And I encountered a few frustrating points during the finishing.  But I finally brought it to completion during the last bout of finishitis.

It was all worth it in the end.  I think.  I mean, I’m pretty sure.  Well, you’ll see.

This is the Lestrange Cloak, by Catherine Salter Bayar, published in The Unofficial Harry Potter Knits special issue by Interweave in 2013.  The design does a very good job of evoking the character of Bellatrix Lestrange, from the Harry Potter stories.  Being a fan of all things Harry Potter, lace, and dark colored cardigans, I had to knit it.

I made one modification right away.  The pattern as written is for a nearly knee-length cardigan.  (Knee-length being a relative term, usually applied to models of 5′-8″ and taller.)  In the first place, I don’t need a sweater that long – I’m only 5′-3″ after all, it would fall below my knees.  In the second place, I only had approximately 2600 yards of my chosen yarn.  (This is usually an enormous quantity; my typical sweaters only take half this amount!)  I could handle both issues by omitting one lace repeat lengthwise in the body of the sweater.  This worked beautifully.

My second modification came when I was in the middle of working the hem pattern.  The sweater body is knit first, then the sleeves, then the (extremely) wide fold-over collar that runs the length of the garment, and finally the hem of the body.  Once I had finished the collar, it was very clear that I was not going to have enough yarn to knit the very deep hem as written.  So I kept the spirit of the pattern, while altering the row count to finish off the sweater with several yards to spare.  This modification worked beautifully as well.

Here’s where things went a little wonky.

I tried on the finished sweater…and the seam where the sleeves meet the body of the sweater fell off my shoulders and halfway down my upper arm.  But wait, you might say, some sweaters are constructed like that on purpose.  Yep, that would be called drop shoulder construction.  That is not the case here; these are set-in sleeves, like you would see in traditional tailored shirt/sweater/jacket construction.  That seam is supposed to sit nicely at the joint between my shoulder and arm.  Except it wasn’t.  It was making an ugly puddled mess on my upper arm.

Did I do something wrong?  Forget some shaping?  Checking the pattern…no.  There’s no shaping in the upper body at the armhole that would match the sleeve cap shaping.  The designer expected that the natural curving of the lace pattern would do that for us.  It very likely worked out just that way in her knitted sample, for her model-sized model.  But apparently my mileage varied – or my shoulders are not as wide as her model – and 6″ of fabric between the neck and sleeve seam was entirely too much for my needs.  By comparison, a survey of my closet shows that 4″ is more appropriate for my size and build.

Out came the handy dandy crochet hook, some of that leftover project yarn, and a little gathering seam was created on the wrong side of the original seam at the shoulder (where the back and each front are joined together).  Final dimension of this line: 4″.  Does it fit now?  Yes!

IMG_20150819_160216_clr_trm_sm IMG_20150819_160336_clr_trm_smSo here is the final sweater, modeled by my lovely assistant, the dress form.  (She’s gotten an upgrade.  Can you spot it?)

IMG_20150819_160138_clr_trm_smThe length is perfect, the fit is flattering, the collar is nice and snuggly, the sleeves are a tad longish but workable, and the yarn choice was good.  The yarn is super springy, so the sweater shouldn’t sag out of shape while I’m wearing it.  Overall, yes I’m happy.

Now…bring on the fall weather!

For the knitters:

  • Pattern: Lestrange Cloak by Catherine Salter Bayar
  • Yarn: Araucania Huasco, colorway #101 Charcoal
  • Ravelry project page: here
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Pi Shawl Finish

I finally have blocked and styled photos of the finished half pi shawl for you.  You had given up on seeing it finished, hadn’t you?  All in good time, my friends.  If you recall, that last round of finishitis included this shawl too.

The shawl washed and blocked like a dream, and the lace opened up beautifully.  There was one sticking point, however.  Remember how I was worried about the transition between the third and fourth sections?  (If not, click that link and read about it.  Then come back.  I’ll wait.)  That point is exactly where the blocking experienced a little hiccup.

IMG_20150707_134310_clr_trm_sm Can you see it?  The third section is a little too tightly stretched as it gets closer to the fourth section.

IMG_20150707_134358_clr_trm_smSince I doubled my stitch count at the transition between the third and fourth section, the issue may not be a lack of stitches at the beginning of the fourth section.  In blocking I found that the top of the fourth section definitely had a sufficient amount of give in the fabric.  But just across that line, in the bottom of the third section, there was not enough give in the fabric.  I can either solve this by increasing earlier in the third section or distributing the increases evenly throughout the third section.  Either solution will give me the same quantity of stitches at the beginning of the fourth section as in my knitted example.

Or I could change the design completely to omit the third section, bringing the second section down and the fourth section up to meet each other.  I’m actually leaning toward this solution, for a very simple reason.  The pattern in the third section is too different from the others, and interrupts the flow of the overall design.  This shawl is for spring after all, and represents all things simple and refreshing.  The third section is lovely, but is a bit too busy for this particular application.

IMG_20150819_164142_clr_trm_smShown draped on the dress form, the patterning becomes more apparent.  I’m much more satisfied with the project, seeing it like this.  It is a very good size, staying put on the shoulders and generously covering the back and upper arms.  The weight is also perfect for chasing the chill on a cool evening or in an air conditioned restaurant.  I wouldn’t change either of those elements.

IMG_20150819_164153_clr_smIMG_20150819_164207_clr_smWhat do you think?  Does your eye naturally wander from the smaller patterns at the top down to the bottom?  Or are you caught in the larger pattern of that third section?

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Doily Rug

The last time we saw the doily rug adventures, the project was languishing in the middle doldrums that sometimes plague us.  Oh, who am I kidding?  It didn’t have a deadline or an outside recipient – read: it is for me, and just for fun – so it was tossed aside as soon as something more interesting came along.

IMG_20141028_125600_clr_smAnd then a light round of finishitis struck.  You know the kind.  You look at the pile of projects in the WIP (work in progress) basket and pull out a few that you think can reasonably be completed in the short space of time that the current round of finishitis will allow.  I was over halfway through the doily pattern, and at this scale the rows are fairly quick – even if they are growing in length.  It was deemed a worthy candidate for completion.

Queue up the podcasts and TV series, fluff the pillows in my chosen comfy spot, dig out the stash of (more and more) balls of project yarn, settle in and get to crocheting.

Which is exactly what I did.  At some point I had to move to the floor, then to a large blanket in the shade of my apple tree in the yard.  The rug is much heavier than an afghan (unless you live in a frozen tundra, then your blankets may necessarily be bulky) so it quickly outgrew my lap.

But now it’s finished!  Well, excepting that it needs a bath after being hauled all over creation during the making of it.  I’m waiting for a cool day to toss it in the washer/dryer so it won’t heat up the house unnecessarily.

Here it is, in it’s unwashed curly-edged state, in the front entry hall where it will live once bath time is done.

IMG_20150811_121558_clr_smThe sizing turned out perfect.  I thought I might need to stop it before I reached the last round, for fear that it would end up too large for the space.  But after spot checking the size a few times, I kept going to the end of the pattern.  It should even out in the bath, but not grow in size.

IMG_20150811_121605_clr_smWhat do you think?  I’ve seen them in crazy colors, but I kind of like the creamy white.  It reminds me of the doily that was my inspiration.

For the knitters/crocheters:

  • Pattern: Peacock Pride by Patricia Kristoffersen, found in Leisure Arts #2879
  • Yarn: Lion Brand Wool-Ease Thick and Quick Solids, colorway #99 Fisherman
  • Ravelry Project Page: here
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Fiber Sampler – Corriedale, Cheviot, & Jacob

Once all the traveling was done, I took a short break from knitting to spin a few more of the fiber sampler bundles.  These are quick little spinning adventures designed to help me learn about the different sheep breeds and their fiber characteristics.  One of the Ravelry groups was hosting a little spinning contest where folks could gain one entry per single breed spun during the given time period (no fiber blends, no yardage requirements).  This sort of thing is wonderful for lighting the fire of enthusiasm.  For this adventure I chose the Corriedale, Cheviot, and Jacob fiber samples.

First up was the Corriedale sampler.  My sample had a longer (4-5″) staple length and medium-soft feel.  It spun up easily and beautifully into very strong singles.  I chose to try a mix of plying techniques with this one to see which would be best for the fiber type – 3-ply, 2-ply, and chain-ply.  All of them are soft and bouncy, but I prefer the 3-ply over the others in this case.

IMG_20150724_103129_clr_smNext out of the bag was the Cheviot sampler.  My sample was medium-soft and fluffy, but not as sticky to spin as the Cormo.  It made a nice fluffy single, which I spun onto 2 bobbins.  The 2-ply retains the bounce and fluffiness of the original fiber.

IMG_20150728_152758_clr_smThe smaller skein is a chain-plied bit from the leftovers on one of the bobbins.  I can’t seem to load an even amount of yardage onto each bobbin, so I nearly always end up with a bunch of leftovers.  It’s likely that using a scale to weigh my fiber when I split it might help, but I have yet to try it.  (Silly me!)

Last out of the bag (for this adventure anyway) was the Jacob.  Jacob sheep are always multicolored, but my sample must have been pulled from one section of a fleece or multiple fleece sections of a similar color, because it was a uniform medium heather grey.  I finished this one just prior to the close of the contest, so it may have suffered from a small bit of hurry-up-will-ya!  That doesn’t seem to have affected my happiness rating with the fiber.  This was another super easy fiber to spin.  It made three bobbins of strong, rustic singles.  The resulting 3-ply yarn retains the rustic qualities, and has much more yardage than expected.  (These are all 1 ounce bundles – it’s amazing how some fiber is heavier than others, and therefore doesn’t go as far.)

IMG_20150728_152610_clr_smAnd then it was a good thing that the contest was closing, because I lost steam with the spinning.  Time to return to the knitting!

For the fiber folk:

  • Fiber:  Woolgatherings 28 Breed Fiber Sampler Pack; Corriedale, Cheviot, Jacob
  • Ravelry spinning project page here
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